Dear Diary: Screw That
Another day of work — but as the clock ticked toward six, I could tell that I was running out of steam. So, what with one thing and another on the calendar, I ran out to the movies, just around the corner, to see Rudo y Cursi. This film unites director Carlos Cuarón with the two co-stars of his Y Tu Mamá También. This time, Gael GarcÃa Bernal and Diego Luna play half-brothers from the sticks who are lured into playing for opposing futbol teams. It’s such a great movie that even the soccer is great. Veruschka — or even Vanessa Redgrave herself — is not more present in Antonioni’s great Blow-Up that the two stars are here. Rudo y Cursi is also very funny. The actors seem to be competing (in a nice parallel to the story) to see who can create the more ridiculous brother.
When I came back from the movie, I was refreshed and ready to edit and publish three pages for Portico. By the light of midnight oil, I’m working on a fourth. But it’s about Jonathan Franzen’s story in The New Yorker this week, and if there’s one thing about Jonathan Franzen and me that you ought to know about it, it’s that my appreciations of his work seem to run to 5% of his word count. Many of the pages that I’ve written about whole books are shorter than my piece on “Good Neighbors”; it’s almost certainly to be longer by the time I publish it.
Thanks to a link at The Awl by Choire Sicha, I discovered a new blog today, Songs About Buildings And Food, and not only that: but a writer more thrillingly long-winded than I am. May the spirit of Maeve Brennan bring delight to the mind of Justin Wolfe (or is it Henry?) In fact, I’m going to have to leave you now, because the blog’s latest entry begins with a reference to “Good Neighbors.” Prudence dictates that I finish my own appreciation before reading anyone else’s, but, en un mot, screw that.