Daily Office: Wednesday
Wednesday, September 10th, 2008¶ Matins: Ms NOLA was kind enough to slip me a link to Leon Wieseltier’s magisterial call to brawn, yet another mandarin voice urging liberals to sock it to ’em. If only we knew how! — even as we digest Mr Wieseltier’s fine talk (and it is fine!) of “the teleological suspension of the ethical.” Who knew that the thickest plank in the Republican Party platform had such a fancy name?
“You remember the teleological suspension of the ethical,” Mr Wieseltier writes with absurd optimism. Happily, he does not count upon the strength of our recollections.
¶ Lauds: Although I’m not sure that I’d like to sit through The Fly — now it’s an opera, with music by Howard Shore (Silence of the Lambs) and book by David Henry Hwang (M Butterfly) — I’d sure like to hear it.
¶ Tierce: While Americans struggle to deal with a resurgent but definitely post-Soviet Russia, separatists within Russia take heart from the formal recognition of new breakaway states in the Caucasus. The interesting thing about Ellen Barry’s story is the refrain of “20 years from now.” Nobody’s talking about anything’s happening tomorrow. Instead, the talk is of death warrants and planted seeds.Â
“In the long term, they could have signed their own death warrant,†said Lawrence Scott Sheets, the Caucasus program director for the International Crisis Group, an independent organization that tries to prevent and resolve global conflicts. “It’s an abstraction now, but 20 years down the road, it won’t be such an abstraction.â€
Mr Sheets is speaking of Russia.
¶ Nones: If JMW Turner’s watercolor of Merton College, Oxford goes missing, I will insist that I know nothing about it. Having just paid my nth visit to the Turner show at the Museum — easily the sixth, I think — I’m beginning to fall in love with a few paintings just as they’re about to wrenched away, but I fell for the Merton watercolor the moment I saw it. Why?
¶ Compline: Thomas P Campbell, a 46 year-old curator of tapestries, will become the ninth director of the Metropolitan Museum of Art at the start of the New Year. As a card-carrying Old Fart, I’m happier with Mr Campbell than I would have been with Gary Tinterow, the strong and clever curator of — you have to love this tripartition — 19th Century, modern, and contemporary art.